1 00:00:05,866 --> 00:00:08,820 I have a message from Don Salvador. It's urgent. 2 00:00:08,980 --> 00:00:11,260 - Does he remember anything? - One person. 3 00:00:11,420 --> 00:00:13,340 He woke up screaming your name. 4 00:00:13,500 --> 00:00:16,380 Elizabeth I was murdered before becoming a queen. 5 00:00:20,500 --> 00:00:21,820 They were really close. 6 00:00:21,980 --> 00:00:25,820 You can't shake hands with a lover. It would look suspicious. 7 00:00:25,980 --> 00:00:28,740 You are pregnant. 8 00:00:30,380 --> 00:00:32,620 - Hello Julián. - My name isn't Julián. 9 00:00:32,780 --> 00:00:35,020 Who's that guy with my family? 10 00:00:35,180 --> 00:00:37,580 The real Eulogio Romero. 11 00:00:37,740 --> 00:00:39,260 Go save Elizabeth now. 12 00:00:39,420 --> 00:00:41,220 The queen wants to kill her? 13 00:00:41,380 --> 00:00:44,740 María wants to get rid of her sister to protect his son's life. 14 00:00:44,900 --> 00:00:48,060 And according to history, she never had a son. 15 00:00:48,220 --> 00:00:51,580 - Do you know him? - Why do I dream with a dead man? 16 00:00:52,700 --> 00:00:54,180 - I smell trouble. - So do I. 17 00:00:54,340 --> 00:00:56,660 Soldiers, protect your king! 18 00:01:00,460 --> 00:01:02,820 Son of a bitch. 19 00:01:02,980 --> 00:01:06,140 - I see a woman running. - It's Maite, your wife. 20 00:01:07,780 --> 00:01:09,780 Maite. 21 00:01:09,940 --> 00:01:13,780 I wouldn't forgive myself if the king was killed before me. 22 00:01:13,940 --> 00:01:16,300 What are these halls with so many doors? 23 00:01:16,460 --> 00:01:19,500 Don't you want to come back to the Ministry? 24 00:01:19,660 --> 00:01:22,340 Please don't ask me that. You know I can't. 25 00:01:22,500 --> 00:01:26,020 Irene went to look for something she didn't find. You must find it. 26 00:01:26,180 --> 00:01:27,580 A receipt for Guernica. 27 00:01:27,740 --> 00:01:31,380 Spain's republican government commissioned Picasso to paint it. 28 00:01:31,540 --> 00:01:34,300 If we find the receipt, we'll have proof. 29 00:01:34,460 --> 00:01:35,980 What do you like in Prado? 30 00:01:36,140 --> 00:01:38,180 Velázquez. Heard of Las Meninas? 31 00:01:38,340 --> 00:01:41,260 Yes. Who hasn't seen Las Meninas? 32 00:01:41,420 --> 00:01:44,420 - Why did you do it? - I couldn't go back to prison. 33 00:01:52,820 --> 00:01:55,660 So I won, not them. 34 00:01:56,700 --> 00:01:58,700 That's right, Federico. 35 00:01:59,820 --> 00:02:01,380 THE PRADO MUSEUM, MADRID 2020 36 00:02:01,540 --> 00:02:05,700 Mom am I pretty? Mom am I pretty? 37 00:02:05,860 --> 00:02:09,980 Mom am I pretty? Mom am I pretty? 38 00:02:10,140 --> 00:02:14,300 My hair is blonde, my face is pretty 39 00:02:14,460 --> 00:02:18,060 Court ladies are ugly My face is pretty 40 00:02:18,220 --> 00:02:23,060 I want to be in Velázquez's painting Why doesn't he paint me, mom? 41 00:02:23,220 --> 00:02:26,940 Why does he always paint you and Dad? Is it because I'm not pretty? 42 00:02:35,860 --> 00:02:39,620 Lady Margaret I'm just following orders 43 00:02:39,780 --> 00:02:44,100 But listen to my secret I'm painting you 44 00:02:44,260 --> 00:02:48,460 Did you see a painting is being painted in the painting? 45 00:02:48,620 --> 00:02:53,260 Actually, I am painting you. 46 00:02:53,420 --> 00:02:57,620 I am doing something revolutionary I'm Velázquez, I'm extraordinary 47 00:02:57,780 --> 00:03:01,780 The boy from Seville raised the bar To teach the rest how it's done 48 00:03:02,340 --> 00:03:04,740 So I am pretty? 49 00:03:15,060 --> 00:03:17,380 The truth is I did fantastic work. 50 00:03:21,140 --> 00:03:25,620 BOARD OF ART TREASURE 51 00:04:01,940 --> 00:04:04,140 My Las Meninas! 52 00:05:31,420 --> 00:05:33,540 Stop looking at it. 53 00:05:34,540 --> 00:05:36,620 You've already made a decision. 54 00:05:36,780 --> 00:05:41,260 I'm just saying goodbye to my work. It'll be hard to do better. 55 00:06:31,980 --> 00:06:34,500 - How are you? - I'm fine. 56 00:06:37,180 --> 00:06:41,220 - What have been up to recently? - Taking care of personal matters. 57 00:06:42,780 --> 00:06:45,860 What are you doing now? 58 00:06:46,020 --> 00:06:51,260 I'm checking we didn't leave loose ends that could change history. 59 00:06:51,420 --> 00:06:53,580 An alarm would have gone off. 60 00:06:53,740 --> 00:06:55,140 Sometimes it doesn't. 61 00:06:58,900 --> 00:07:00,980 Salvador. He wants to see us. 62 00:07:18,300 --> 00:07:20,540 Why doesn't he come to see me? 63 00:07:22,500 --> 00:07:25,740 Pablo is my friend, and I'm the Director of Fine Arts. 64 00:07:28,220 --> 00:07:31,620 We commissioned the painting five months ago. 65 00:07:31,780 --> 00:07:35,220 It's only 20 days to the Universal Exposition. 66 00:07:35,380 --> 00:07:37,980 He needs to find a theme to paint. 67 00:07:38,140 --> 00:07:41,060 He hasn't started yet? 68 00:07:41,220 --> 00:07:44,500 All he needs is inspiration. 69 00:07:46,100 --> 00:07:48,340 Then everything will go quickly. 70 00:08:01,340 --> 00:08:04,020 - Hello. - Hello. 71 00:08:07,140 --> 00:08:10,820 Ladies and gentlemen, I've got good and bad news. 72 00:08:10,980 --> 00:08:13,740 The good news is, Julián is working with us again. 73 00:08:13,900 --> 00:08:15,660 - Thanks. - The bad news... 74 00:08:15,820 --> 00:08:19,500 The bad news is Las Meninas has disappeared. 75 00:08:19,660 --> 00:08:25,540 - What? Las Meninas has disappeared? - It vanished before my very eyes. 76 00:08:25,700 --> 00:08:29,660 We received a call from the Prado Museum in 1937. 77 00:08:29,820 --> 00:08:32,100 Las Meninas and other valuable paintings 78 00:08:32,260 --> 00:08:36,300 disappeared while being transported to Valencia during the Civil War. 79 00:08:36,460 --> 00:08:38,660 A message came for you. 80 00:08:38,820 --> 00:08:40,700 Excuse me a moment. 81 00:08:40,860 --> 00:08:42,380 What's up? 82 00:08:42,540 --> 00:08:47,420 It's Renau. He's writing from Paris 1937. 83 00:08:48,940 --> 00:08:51,060 Picasso isn't painting Guernica. 84 00:08:51,220 --> 00:08:54,300 - It was hard to bring him to Spain. - Who is Renau? 85 00:08:54,460 --> 00:08:57,780 A fabulous artist and director of fine arts during the war. 86 00:08:57,940 --> 00:09:00,260 And an excellent agent of this Ministry. 87 00:09:00,420 --> 00:09:04,060 Two alarms from the same date. 88 00:09:04,220 --> 00:09:06,740 May 3, 1937. 89 00:09:06,900 --> 00:09:08,260 What are the odds? 90 00:09:10,220 --> 00:09:14,420 Especially when Picasso was director of the Prado Museum. 91 00:09:14,580 --> 00:09:17,180 - Go to Paris and investigate. - Is there a door? 92 00:09:17,340 --> 00:09:20,140 Since 1914, in the church on Rue de la Pompe. 93 00:09:20,300 --> 00:09:23,660 Alfonso XIII ordered Claretian priests to assist 94 00:09:23,820 --> 00:09:27,620 more than 90,000 Spanish immigrants in Paris at the time. 95 00:09:27,780 --> 00:09:30,380 A mobile door was put in a confessional. 96 00:09:30,540 --> 00:09:33,980 Irene, Pacino and Velázquez will go to Paris. 97 00:09:34,140 --> 00:09:38,180 Lola and Julián to Madrid 1937 to find Las Meninas 98 00:09:38,340 --> 00:09:40,340 and all missing works of art. 99 00:09:40,500 --> 00:09:44,060 - No, I'll go to the Prado Museum. - Velázquez. 100 00:09:44,220 --> 00:09:45,780 Velázquez! 101 00:09:47,780 --> 00:09:50,580 Only a genius can convince another genius. 102 00:09:50,740 --> 00:09:53,060 You've done this once before. 103 00:09:54,060 --> 00:09:55,660 Go immediately. 104 00:09:55,820 --> 00:09:58,140 - Later. - Goodbye. 105 00:10:00,420 --> 00:10:02,100 Excuse me. 106 00:10:08,820 --> 00:10:10,380 Good job with Velázquez. 107 00:10:10,540 --> 00:10:16,620 When he gets like that, I can't be around him, he riles me up! Sorry. 108 00:10:21,220 --> 00:10:23,220 Here we are again. 109 00:10:24,220 --> 00:10:25,900 This sucks. 110 00:10:26,060 --> 00:10:29,980 Like Bismarck said, "Spain is the strongest country in the world, 111 00:10:30,140 --> 00:10:34,340 trying to destroy herself for centuries and still no success." 112 00:10:36,460 --> 00:10:40,220 Bismarck. I don't know who he is, but he is right. 113 00:10:48,220 --> 00:10:51,700 - This is wonderful. - Shocking. 114 00:10:53,580 --> 00:10:55,820 Where could my Las Meninas be? 115 00:11:01,020 --> 00:11:05,060 - Who's the man we are looking for? - Sergeant Torres. 116 00:11:07,940 --> 00:11:09,500 How are you coping? 117 00:11:09,660 --> 00:11:11,860 I'm a mess, especially working again. 118 00:11:12,020 --> 00:11:16,220 You can count on me if you need anything. 119 00:11:16,380 --> 00:11:21,220 Are you sure? I knew another Lola and she wasn't trustworthy. 120 00:11:21,380 --> 00:11:24,020 You said it, another Lola. 121 00:11:24,180 --> 00:11:28,140 I hope so. I'm another Julián. I'm not so tolerant now. 122 00:11:28,300 --> 00:11:32,140 Excuse me! If you carry it like that, you'll ruin it. 123 00:11:32,300 --> 00:11:34,500 - It can get dusty. - What's going on? 124 00:11:34,660 --> 00:11:36,980 We are looking for Sergeant Torres. 125 00:11:38,940 --> 00:11:41,500 He died a few nights ago in a bombardment. 126 00:11:41,660 --> 00:11:43,820 - He was a good soldier. - I'm sorry. 127 00:11:43,980 --> 00:11:45,420 How can I help you? 128 00:11:45,580 --> 00:11:49,660 We're here to take care of the paintings. We're art curators. 129 00:11:49,820 --> 00:11:53,180 - What's that? - We restore and look after paintings. 130 00:11:53,340 --> 00:11:56,300 You'll have time to do that after the war. 131 00:11:56,460 --> 00:11:59,700 What we need now is people to guard the rooms. 132 00:11:59,860 --> 00:12:02,740 We can do that as well. 133 00:12:02,900 --> 00:12:05,580 - Follow me. - All right. 134 00:12:05,740 --> 00:12:08,460 What the hell do we do now? 135 00:12:15,060 --> 00:12:19,820 - I need to speak to you in private. - I'm his wife. I'm not leaving. 136 00:12:19,980 --> 00:12:22,060 - I am his wife! - I am! 137 00:12:22,220 --> 00:12:24,540 No wonder he's not painting in this chaos. 138 00:12:24,700 --> 00:12:26,980 Hold on. 139 00:12:28,140 --> 00:12:29,740 Shut up, both of you! 140 00:12:31,820 --> 00:12:34,820 Good afternoon, Don Pablo. We came to interview you. 141 00:12:34,980 --> 00:12:37,700 - From Art and Health magazine. - Spaniards. 142 00:12:37,860 --> 00:12:40,020 - Yes. - Very much so. 143 00:12:40,180 --> 00:12:42,340 Let's go for a drink. 144 00:12:42,500 --> 00:12:45,300 - I'll be right back. - Are you leaving? 145 00:12:46,420 --> 00:12:51,380 - Be careful. - Relax, don't worry. 146 00:12:53,100 --> 00:12:55,300 Merci. 147 00:12:57,900 --> 00:13:01,060 You have great hair, mister. 148 00:13:18,620 --> 00:13:21,740 It looks more like a warehouse than a museum, doesn't it? 149 00:13:31,380 --> 00:13:33,420 A virgin. 150 00:13:36,540 --> 00:13:39,300 A saint and a martyr. 151 00:13:42,660 --> 00:13:44,660 A king. 152 00:13:47,620 --> 00:13:50,900 Damn it. I'm a republican and an atheist. 153 00:13:51,060 --> 00:13:55,900 Yet here I am, protecting paintings of kings, saints and martyrs. 154 00:13:58,020 --> 00:14:01,020 Why aren't you in the battlefield? You're young. 155 00:14:02,020 --> 00:14:03,620 I have asthma. 156 00:14:05,180 --> 00:14:09,020 What do you know about the trucks that carry paintings to Valencia? 157 00:14:09,180 --> 00:14:13,780 I loaded a lot of them. In the back, next to the Casón del Buen Retiro. 158 00:14:19,140 --> 00:14:24,060 They're here. We'll have bombs for dinner today, too. 159 00:14:28,260 --> 00:14:30,740 Hail Mary full of grace, the Lord is with thee. 160 00:14:30,900 --> 00:14:34,100 Blessed art thou among women and blessed is the fruit... 161 00:14:34,260 --> 00:14:37,100 Didn't you just say you are an atheist? 162 00:14:37,260 --> 00:14:42,060 Yes, but my mom asked me to pray to the Virgin when I was in danger. 163 00:14:42,220 --> 00:14:44,540 A mother is a mother. 164 00:14:52,620 --> 00:14:55,700 You like clean lines. 165 00:14:55,860 --> 00:15:00,300 - To make cuts. - To make cuts with lines. 166 00:15:00,460 --> 00:15:02,700 - As if it were crystal. - A crystal. 167 00:15:05,700 --> 00:15:09,060 That face looks familiar. 168 00:15:09,220 --> 00:15:10,940 So similar to Velázquez. 169 00:15:11,100 --> 00:15:13,140 You're changing the topic, Don Pablo. 170 00:15:13,300 --> 00:15:17,020 I remember now. Els Quatre Gats, in Barcelona. 171 00:15:17,180 --> 00:15:20,140 He can't be him. It's been so long. 172 00:15:20,300 --> 00:15:24,660 We were talking about the painting you should be painting. 173 00:15:26,660 --> 00:15:30,300 To tell you the truth, I don't know what to paint, a mental block. 174 00:15:30,460 --> 00:15:34,620 What's the use of art today, when the world is falling apart? 175 00:15:34,780 --> 00:15:37,420 Pablo, please. 176 00:15:37,580 --> 00:15:41,260 To show the barbarity of the war. 177 00:15:41,420 --> 00:15:44,060 Goya and The Executions. 178 00:15:44,220 --> 00:15:47,380 The Massacre at Chios, by Delacroix. 179 00:15:47,540 --> 00:15:50,820 Did they do any good? It's not even the middle of the century, 180 00:15:50,980 --> 00:15:55,180 and we've had a world war and a civil war. 181 00:15:55,340 --> 00:15:59,900 Man invented the plane to fly and he uses it to kill. 182 00:16:00,900 --> 00:16:03,580 - Like in Guernica. - Good topic for a painting. 183 00:16:03,740 --> 00:16:06,060 It truly is. 184 00:16:12,740 --> 00:16:14,820 Who is that woman? 185 00:16:14,980 --> 00:16:18,500 Josephine Baker, the queen of Paris. 186 00:16:19,500 --> 00:16:23,460 Don't get your hopes up. She likes papayas, not bananas. 187 00:17:29,100 --> 00:17:32,220 You'll get your piece tomorrow. 188 00:17:32,380 --> 00:17:35,980 - Where's my part? - You'll find it where I told you. 189 00:17:52,460 --> 00:17:55,660 It's over. We survived another day. 190 00:17:59,500 --> 00:18:02,140 All right. I'll go to my wife. 191 00:18:02,300 --> 00:18:05,420 If I get killed tomorrow, it was fun while it lasted. 192 00:18:05,580 --> 00:18:08,740 - Are you leaving the night watch? - It wasn't my shift. 193 00:18:08,900 --> 00:18:11,420 I did a favor to a friend. He must be close. 194 00:18:11,580 --> 00:18:14,100 - If he didn't die in the bombardment. - No way. 195 00:18:14,260 --> 00:18:16,740 He's like a cat with nine lives. 196 00:18:17,780 --> 00:18:19,860 I'm sorry. 197 00:18:21,140 --> 00:18:24,420 - This is my friend Carlos. - Hello. 198 00:18:24,580 --> 00:18:27,340 - Hello. - My friend Carlos has nine lives. 199 00:18:27,500 --> 00:18:29,020 Like a cat. 200 00:18:30,740 --> 00:18:32,780 Nobody has so many. 201 00:19:29,140 --> 00:19:30,620 What did she tell you? 202 00:19:30,780 --> 00:19:34,060 - Not to leave this place without her. - So direct! 203 00:19:34,220 --> 00:19:37,740 People here don't waste their time. 204 00:19:37,900 --> 00:19:39,260 Merci. 205 00:19:41,980 --> 00:19:46,660 Excuse me, but I'm tired. I'm going to bed. 206 00:19:48,220 --> 00:19:51,180 Enough absinthe, man. 207 00:19:54,860 --> 00:19:58,100 - Why France? Italy! - Watch your step. 208 00:19:58,260 --> 00:20:01,940 Your friend is quite drunk. 209 00:20:02,100 --> 00:20:04,700 - Where are you staying? - What? 210 00:20:04,860 --> 00:20:08,260 On Rue de la Pompe, next to the Spanish church. 211 00:20:08,420 --> 00:20:11,060 - That's really far away. - Yes. 212 00:20:11,220 --> 00:20:14,380 Come to my studio. I've got beds for friends who stay over. 213 00:20:14,540 --> 00:20:17,820 Yes, that's better. Thank you very much. 214 00:20:17,980 --> 00:20:20,300 Goddamn it! 215 00:20:20,460 --> 00:20:22,780 Watch your head. 216 00:20:22,940 --> 00:20:26,820 - Come in. - Look how nice this is. 217 00:20:26,980 --> 00:20:29,540 You'll find mattresses and blankets there. 218 00:20:29,700 --> 00:20:32,380 All right. Thank you. 219 00:20:33,540 --> 00:20:35,420 - Careful. - I've got him 220 00:20:35,580 --> 00:20:38,020 Hold him. There we go. 221 00:20:39,220 --> 00:20:40,820 - His head! - He's fine. 222 00:20:46,860 --> 00:20:49,300 - Hand me a blanket. - Sure. 223 00:20:52,220 --> 00:20:55,780 You left me alone with Marie-Therese and were out all night. 224 00:20:55,940 --> 00:20:58,620 Leave me alone, please! 225 00:20:58,780 --> 00:21:01,940 The only thing I've done is support you, Pablo. 226 00:21:02,100 --> 00:21:06,060 Living together kills the love, completely. 227 00:21:06,220 --> 00:21:10,020 You're telling me. I used to like Velázquez. Not now. 228 00:21:10,180 --> 00:21:13,340 I say it because of Dora Maar. 229 00:21:13,500 --> 00:21:18,220 She was ahead of her time, a pioneer in human rights. 230 00:21:18,380 --> 00:21:20,340 An advocate for free love. 231 00:21:20,500 --> 00:21:22,700 She seems a grumpy old lady now. 232 00:21:22,860 --> 00:21:27,180 Picasso is an expert in ruining great women. 233 00:21:33,180 --> 00:21:34,740 This is nice. 234 00:21:38,660 --> 00:21:41,220 Oh, yes. 235 00:21:41,380 --> 00:21:43,540 Oh, yes! 236 00:21:46,860 --> 00:21:49,380 Damn! 237 00:21:49,540 --> 00:21:53,900 A hell of an artist. The way he turned things around. 238 00:21:54,060 --> 00:21:56,020 So much energy. 239 00:21:59,020 --> 00:22:01,580 Damn it. Just what we needed. 240 00:22:04,180 --> 00:22:06,820 What a pain in the ass. 241 00:22:06,980 --> 00:22:13,020 One day we'll say we couldn't sleep because of Velázquez and Picasso. 242 00:22:20,460 --> 00:22:22,380 - Pacino. - What? 243 00:22:23,660 --> 00:22:25,940 I think I'll go back to the party. 244 00:22:27,260 --> 00:22:30,380 - What? - Are you going for the brunette? 245 00:22:30,540 --> 00:22:32,660 I am, white man. 246 00:22:36,020 --> 00:22:38,940 - I won't be long. - Take your time. 247 00:22:42,300 --> 00:22:45,460 If Picasso goes anywhere, let me know. 248 00:22:45,620 --> 00:22:47,220 He won't go anywhere. 249 00:22:57,460 --> 00:23:01,540 Help! A thief! 250 00:23:11,340 --> 00:23:13,620 Slut! 251 00:23:13,780 --> 00:23:16,340 Tell that to your mom, you bastard! 252 00:23:26,100 --> 00:23:27,740 Here you are. 253 00:23:27,900 --> 00:23:30,140 Are you Spanish? 254 00:23:30,300 --> 00:23:34,020 - Yes. What a coincidence, right? - Thank you very much. 255 00:23:38,460 --> 00:23:40,540 Are you Clara Campoamor? 256 00:23:41,860 --> 00:23:43,220 Have we met? 257 00:23:45,220 --> 00:23:50,540 No, not really, but I know your work. 258 00:23:52,220 --> 00:23:54,540 Spain owes women's suffrage to you. 259 00:23:54,700 --> 00:23:58,660 And I owe you because you got my purse. 260 00:23:58,820 --> 00:24:02,780 - Pleased to meet you. - Pleased to meet you. 261 00:24:14,340 --> 00:24:17,180 - Time is so small. - Tell me about it. 262 00:24:19,180 --> 00:24:21,700 Did you and that man...? 263 00:24:23,340 --> 00:24:26,060 We loved each other. Very much. 264 00:24:27,180 --> 00:24:29,660 - Was it too obvious? - It is obvious. 265 00:24:29,820 --> 00:24:32,300 You should see your face when you look at him. 266 00:24:32,460 --> 00:24:34,780 It's not what you think. 267 00:24:38,260 --> 00:24:41,220 That scumbag almost got us killed with Franco. 268 00:24:42,540 --> 00:24:44,580 When did you meet him? 269 00:24:47,060 --> 00:24:49,020 In 1940. 270 00:24:49,180 --> 00:24:51,940 I can assure you he wasn't a traitor at that time. 271 00:24:52,100 --> 00:24:54,540 He risked his life to help me save others. 272 00:24:54,700 --> 00:24:57,380 He'll protect Madrid until the war is over. 273 00:24:58,380 --> 00:25:01,060 You know his life too well. 274 00:25:01,220 --> 00:25:03,260 More than you can imagine. 275 00:25:05,220 --> 00:25:07,820 You don't know what he was like. 276 00:25:07,980 --> 00:25:11,020 Traitors are born, not made. 277 00:25:12,900 --> 00:25:14,700 Where are you going, Lola? 278 00:25:14,860 --> 00:25:19,300 To speak to him. He has contacts. He might be able to help us. 279 00:25:19,460 --> 00:25:21,860 You shouldn't talk to him. 280 00:25:22,020 --> 00:25:25,020 What if he has something to do with the art theft? 281 00:25:25,180 --> 00:25:29,340 He wouldn't have crossed Madrid in the bombardment to guard the museum. 282 00:25:29,500 --> 00:25:34,340 You can put the mission in danger by mixing personal feelings. 283 00:25:35,300 --> 00:25:38,860 I thought you were the expert in this subject. 284 00:25:40,700 --> 00:25:43,740 - You've researched me well. - Yes. 285 00:25:51,780 --> 00:25:56,300 Do you know how many times I thought of traveling to 1943 to shoot Carlos? 286 00:25:56,460 --> 00:25:59,500 Too late. I've already done that. 287 00:26:00,500 --> 00:26:02,460 That's why I looked at him that way. 288 00:26:02,620 --> 00:26:04,780 Does the Ministry know about this? 289 00:26:04,940 --> 00:26:08,020 They suspect, but don't have and won't have any evidence. 290 00:26:11,100 --> 00:26:15,460 - Why did you tell me? - Because I need you to trust me. 291 00:27:12,340 --> 00:27:14,100 Have you read my book? 292 00:27:15,100 --> 00:27:18,500 El voto femenino y yo: Mi pecado mortal. 293 00:27:18,660 --> 00:27:20,740 I love it. 294 00:27:20,900 --> 00:27:23,380 That day was a historic day. 295 00:27:24,780 --> 00:27:27,220 And my end as a representative. 296 00:27:27,380 --> 00:27:31,700 After achieving women's suffrage, everyone turned their backs on me, 297 00:27:31,860 --> 00:27:33,740 both the left and the right. 298 00:27:34,740 --> 00:27:39,420 What's sad is that Victoria Kent fought against women's suffrage. 299 00:27:39,580 --> 00:27:42,140 A woman should never do that. 300 00:27:44,580 --> 00:27:47,180 I didn't think you'd be in Paris. 301 00:27:47,340 --> 00:27:49,180 I'm writing. 302 00:27:49,340 --> 00:27:52,340 Spain is a bad place for writing right now. 303 00:27:52,500 --> 00:27:54,980 I'll go back in a couple of weeks. 304 00:27:55,140 --> 00:27:58,580 I want to be in Madrid when we win the war. 305 00:28:04,220 --> 00:28:06,500 What? 306 00:28:08,060 --> 00:28:09,780 I have to go. 307 00:28:14,340 --> 00:28:16,100 Will we meet again? 308 00:28:17,580 --> 00:28:19,460 I hope so. 309 00:28:32,940 --> 00:28:36,540 Why all the questions about transporting the paintings? 310 00:28:36,700 --> 00:28:39,140 You'd better tell me who you are. 311 00:28:39,300 --> 00:28:42,100 I've got a better idea. I'll tell you who you are. 312 00:28:43,180 --> 00:28:45,540 You are Carlos Munuera Mateu, born in Burgos, 313 00:28:45,700 --> 00:28:47,740 moved to Madrid when you were little, 314 00:28:47,900 --> 00:28:51,660 because your father got a promotion in his company. 315 00:28:52,780 --> 00:28:57,180 Your mom died a week after the uprising, from breast cancer. 316 00:28:57,340 --> 00:28:59,780 And you are in the Information Service 317 00:28:59,940 --> 00:29:02,220 because you were wounded in Aragon. 318 00:29:02,380 --> 00:29:04,100 How do you know all that? 319 00:29:05,220 --> 00:29:09,140 I work for a secret government unit. 320 00:29:09,300 --> 00:29:12,860 You'll have to come with me to see if you're telling the truth. 321 00:29:13,540 --> 00:29:16,020 If you're not, forget about your future. 322 00:29:16,180 --> 00:29:19,180 You're the one who should be concerned about the future 323 00:29:19,340 --> 00:29:22,380 if you're involved in the thefts we are investigating. 324 00:29:22,540 --> 00:29:24,660 What thefts are you talking about? 325 00:29:24,820 --> 00:29:27,220 Paintings went missing during transit. 326 00:29:27,380 --> 00:29:30,060 Velázquez's Las Meninas, among others. 327 00:29:30,220 --> 00:29:32,780 If that were true, everybody would know. 328 00:29:32,940 --> 00:29:36,500 I'll offer you a deal. Pull some strings, if you can. 329 00:29:36,660 --> 00:29:40,060 If Las Meninas isn't missing, I'll be here. 330 00:29:40,220 --> 00:29:41,940 I won't leave the museum. 331 00:29:43,180 --> 00:29:45,620 All right. I will. 332 00:29:46,620 --> 00:29:51,460 My advice is, don't trust anyone. Everyone is a suspect. 333 00:29:53,860 --> 00:29:56,380 Why am I not a suspect? 334 00:29:56,540 --> 00:29:59,060 Why do you think I know all about you? 335 00:29:59,220 --> 00:30:01,420 We're investigating everyone. 336 00:30:01,580 --> 00:30:04,660 You're the only one who deserves our trust. 337 00:30:56,180 --> 00:30:58,620 Hello? 338 00:31:00,620 --> 00:31:02,620 Hello? 339 00:31:25,340 --> 00:31:27,340 Son of a bitch. 340 00:31:37,740 --> 00:31:40,620 The man finally woke up. 341 00:31:46,180 --> 00:31:50,740 Picasso painted Guernica. He fooled us, but I don't know why. 342 00:31:52,980 --> 00:31:56,620 I don't know why, but I think I know for whom. 343 00:31:56,780 --> 00:31:59,540 Last night he talked to a man and became agitated. 344 00:31:59,700 --> 00:32:02,060 Who? 345 00:32:02,220 --> 00:32:06,860 No idea. As my hangover goes, I'm starting to see a face. 346 00:32:07,020 --> 00:32:11,500 Fetch me a chamomile tea, or I'll draw like Bacon, not like me. 347 00:32:19,180 --> 00:32:21,060 S'il vous plait. 348 00:32:23,260 --> 00:32:28,860 Only because you're Velázquez. If not, I'd pour it down your back. 349 00:32:42,900 --> 00:32:44,300 What's up Ernesto? 350 00:32:44,460 --> 00:32:47,780 I found something that doesn't fit. 351 00:32:47,940 --> 00:32:51,500 According to the Prado Museum alarm, 352 00:32:51,660 --> 00:32:56,780 the paintings were transported at the beginning of July 1937. 353 00:32:56,940 --> 00:32:58,500 That's right. 354 00:32:58,660 --> 00:33:02,100 Las Meninas was transported a year later. 355 00:33:02,260 --> 00:33:04,500 There are two possibilities. 356 00:33:04,660 --> 00:33:07,820 Either the damn butterfly, like you call it, is back. 357 00:33:07,980 --> 00:33:13,020 - Or the thief of Las Meninas... - Is a time traveler. 358 00:33:26,020 --> 00:33:28,380 Here, right? 359 00:33:28,540 --> 00:33:29,900 All right. 360 00:33:30,060 --> 00:33:33,340 Any setbacks, or is everything going to plan? 361 00:33:33,500 --> 00:33:36,260 Everything's fine. Nothing noteworthy. 362 00:33:39,260 --> 00:33:41,900 I can't thank you enough, Officer. 363 00:33:42,060 --> 00:33:43,820 Don't mention it. My pleasure. 364 00:33:43,980 --> 00:33:46,020 I'll call you if I need you. 365 00:33:46,180 --> 00:33:48,380 You know where to find me. 366 00:34:16,500 --> 00:34:19,060 This asshole... 367 00:34:21,460 --> 00:34:23,580 - Where is Picasso? - I don't know. 368 00:34:23,740 --> 00:34:25,660 When I woke up he and Maar were gone. 369 00:34:25,820 --> 00:34:28,300 I guess they went for breakfast. 370 00:34:28,460 --> 00:34:32,180 Last night they burned more calories than a marathon runner. 371 00:34:32,340 --> 00:34:34,820 I could swear I've drawn him before. 372 00:34:34,980 --> 00:34:36,940 The man Picasso met last night. 373 00:34:37,100 --> 00:34:38,860 - At the party? - The party, yes. 374 00:34:39,020 --> 00:34:40,500 Are you done? 375 00:34:40,660 --> 00:34:44,340 - No. I need to add details. - What details? 376 00:34:44,500 --> 00:34:47,140 It's an unfinished work. I need to shade it. 377 00:34:47,300 --> 00:34:51,380 Please, shade it! Here you are. 378 00:34:56,900 --> 00:34:59,820 I'm glad to hear that. 379 00:34:59,980 --> 00:35:02,460 I hope to see you here soon. 380 00:35:03,500 --> 00:35:08,140 Meanwhile, enjoy your family time. 381 00:35:08,300 --> 00:35:11,260 - What's up? - Alonso is recovering well. 382 00:35:11,420 --> 00:35:14,740 I'm glad. We don't have enough staff to spare. 383 00:35:14,900 --> 00:35:20,380 I admire that man. Always willing to risk everything, even his life. 384 00:35:20,540 --> 00:35:24,020 It's even more praiseworthy because he has a little child. 385 00:35:28,700 --> 00:35:31,100 - Yes. - Yes what? 386 00:35:32,260 --> 00:35:35,380 You should spend more time with your son, Ernesto. 387 00:35:35,540 --> 00:35:38,380 - Isn't that what you're thinking? - No, no. 388 00:35:38,540 --> 00:35:41,300 Thank God you can't read minds yet. 389 00:35:41,460 --> 00:35:43,060 Okay. 390 00:35:46,420 --> 00:35:49,260 I sent you photos. You won't believe who's here. 391 00:35:58,700 --> 00:36:01,300 - It's Díaz Bueno. - Wasn't he in an asylum? 392 00:36:01,460 --> 00:36:05,340 That's what I thought. I don't understand how he escaped. 393 00:36:07,820 --> 00:36:10,020 Irene has just sent this. 394 00:36:11,580 --> 00:36:12,900 Son of a bitch! 395 00:36:13,060 --> 00:36:15,420 I'll put him on. It's her. 396 00:36:16,500 --> 00:36:18,700 He was with Picasso last night. 397 00:36:18,860 --> 00:36:22,500 Don't lose sight of Picasso in case Díaz Bueno shows up. 398 00:36:22,660 --> 00:36:25,860 Wait. How is it possible that he was in Paris last night 399 00:36:26,020 --> 00:36:28,140 and in Madrid the following morning? 400 00:36:28,300 --> 00:36:31,100 It wasn't possible to travel so fast in 1937. 401 00:36:31,260 --> 00:36:33,420 Unless you have the Book of Doors. 402 00:36:33,580 --> 00:36:34,980 We took the one he had. 403 00:36:35,140 --> 00:36:39,300 - He might have another one. - No, we collected all of them. 404 00:36:39,460 --> 00:36:42,220 Wait a minute. That means... 405 00:36:42,380 --> 00:36:48,300 That means there might be a mole working for Díaz Bueno right here. 406 00:36:49,420 --> 00:36:51,380 Are you thinking about Lola? 407 00:36:51,540 --> 00:36:55,260 Díaz Bueno was her accomplice when they stole art through time. 408 00:36:55,420 --> 00:36:58,980 - That was another Lola. - Is there a better explanation? 409 00:37:02,860 --> 00:37:04,340 Trust me, Carlos will come. 410 00:37:04,500 --> 00:37:06,740 This isn't right. We know who the thief is. 411 00:37:06,900 --> 00:37:10,580 Our mission is not only to find out who the thief was. 412 00:37:10,740 --> 00:37:13,460 We must find Las Meninas and the other paintings. 413 00:37:13,620 --> 00:37:16,660 We need to know where they are. 414 00:37:16,820 --> 00:37:18,460 Salvador. 415 00:37:20,260 --> 00:37:21,900 LOLA IS HELPING DÍAZ BUENO. 416 00:37:22,060 --> 00:37:23,940 What is he saying? 417 00:37:27,060 --> 00:37:30,620 - He confirmed it's Díaz Bueno. - What do we know about him? 418 00:37:32,300 --> 00:37:35,580 We arrested him on a mission in 1520. 419 00:37:35,740 --> 00:37:38,780 He was trafficking art in different eras. 420 00:37:38,940 --> 00:37:41,140 How did he get the Book of Doors? 421 00:37:41,300 --> 00:37:45,700 I don't know. He said he got it at an antique shop, I think. 422 00:37:47,180 --> 00:37:48,940 Calm down. 423 00:37:49,100 --> 00:37:50,580 Calm down. 424 00:37:51,780 --> 00:37:54,980 You were right about the theft of the paintings. 425 00:37:55,140 --> 00:37:57,660 Count on me. 426 00:37:57,820 --> 00:38:02,260 With the microphone we put in his bed and this one, it's enough. 427 00:38:02,420 --> 00:38:07,060 - They could be here at any time. - I'm almost done. 428 00:38:08,620 --> 00:38:11,100 - Stop, they're coming. - They're coming! 429 00:38:11,260 --> 00:38:13,540 Ready. 430 00:38:13,700 --> 00:38:16,980 You're still here. 431 00:38:17,140 --> 00:38:22,460 How can you say you've got a mental block if you're painting this beauty? 432 00:38:26,740 --> 00:38:30,300 - Get out! - Good night. 433 00:38:30,460 --> 00:38:32,660 Bonne nuit. 434 00:38:38,980 --> 00:38:40,540 Look. 435 00:38:43,020 --> 00:38:45,220 They know everything! 436 00:38:45,380 --> 00:38:50,140 I told you to burn everything related to my work. 437 00:38:55,780 --> 00:38:59,140 Always so conceited. 438 00:39:00,340 --> 00:39:06,180 These photos are my work of art. 439 00:39:35,260 --> 00:39:38,460 - Any news? - Dora is talking. 440 00:39:39,980 --> 00:39:42,820 She says they should have told Renau the truth. 441 00:39:42,980 --> 00:39:46,100 They are hiding something for sure. 442 00:39:46,260 --> 00:39:48,900 Picasso says he doesn't want to talk about it. 443 00:39:49,060 --> 00:39:50,700 He told her to undress. 444 00:39:50,860 --> 00:39:53,580 Porn movies have more elaborate stories. 445 00:39:53,740 --> 00:39:57,300 - What's happening now? - What? 446 00:39:58,500 --> 00:40:00,540 Put these on so that you can hear. 447 00:40:00,700 --> 00:40:04,420 - I don't speak French. - You'll understand anyway. Here. 448 00:40:06,420 --> 00:40:07,900 There you go. 449 00:40:09,020 --> 00:40:13,180 - Jesus! They're fornicating. - Yes, pay attention. 450 00:40:13,340 --> 00:40:16,020 Tell us if anything happens. Put them on. 451 00:40:16,180 --> 00:40:20,500 Tell me... how did it go with Josephine? 452 00:40:21,980 --> 00:40:25,940 - I didn't go back to the party. - Where were you then? 453 00:40:26,100 --> 00:40:31,060 I ran into Clara Campoamor. We had breakfast together. 454 00:40:31,220 --> 00:40:36,420 - Who is that? - The woman I admire the most. 455 00:40:36,580 --> 00:40:40,260 She got women the right to vote. 456 00:40:40,420 --> 00:40:42,260 Good. 457 00:40:42,420 --> 00:40:45,340 - That... that's maturity. - What? 458 00:40:45,500 --> 00:40:49,540 In the end, sex is not the most important thing in the world. 459 00:40:49,700 --> 00:40:51,100 Nonsense. 460 00:40:53,780 --> 00:40:56,860 You can never get back a lost night of love. 461 00:40:58,460 --> 00:41:01,580 I don't get why women say love when they mean sex. 462 00:41:01,740 --> 00:41:08,540 Maybe our brain is a bit more complex and sensitive than yours. 463 00:41:12,060 --> 00:41:16,700 Damn. Those old days. 464 00:41:16,860 --> 00:41:19,740 So much carnal desire! 465 00:41:36,020 --> 00:41:38,460 Are they the reinforcements I asked for? 466 00:41:38,620 --> 00:41:40,420 Braulio and his wife? 467 00:41:40,580 --> 00:41:43,460 By the looks of it, they're the only ones I can trust. 468 00:41:43,620 --> 00:41:47,300 - Relax. I know how to use a gun. - Only because I taught you. 469 00:41:47,460 --> 00:41:49,940 - You're right, Agustina. - I'm always right. 470 00:41:50,100 --> 00:41:53,540 Agustina. That's a good name to go to war. 471 00:42:01,660 --> 00:42:04,220 - They're insatiable. - Lower your voice. 472 00:42:04,380 --> 00:42:05,900 We're wasting our time. 473 00:42:06,060 --> 00:42:09,020 Let's go there and I'll make Picasso tell the truth. 474 00:42:09,180 --> 00:42:11,180 Five minutes. Have a little patience. 475 00:42:11,340 --> 00:42:13,380 A knock on the door! 476 00:42:15,660 --> 00:42:17,620 The door is opening. 477 00:42:20,020 --> 00:42:21,780 Silence. 478 00:42:23,220 --> 00:42:25,180 Dora is talking. 479 00:42:26,340 --> 00:42:28,060 In French. 480 00:42:32,380 --> 00:42:36,540 - This man is so ill-tempered. - I told you. 481 00:42:36,700 --> 00:42:38,740 He says, "Finally." 482 00:42:41,660 --> 00:42:44,220 He says, "This is more valuable than 'Guernica'." 483 00:42:44,380 --> 00:42:46,260 - Let's go now. - Who's paying? 484 00:42:46,420 --> 00:42:49,420 - Velázquez, get your change out. - Let's go. 485 00:42:49,580 --> 00:42:53,780 - I don't have any on me. - You had money for absinthe. 486 00:43:47,180 --> 00:43:51,580 This is our stop. We'll walk from here. 487 00:43:57,180 --> 00:44:00,420 Give me a pistol. A rifle weighs a hundredweight. 488 00:44:02,700 --> 00:44:04,700 Lola. 489 00:44:10,700 --> 00:44:12,340 Shall we? 490 00:44:15,140 --> 00:44:18,980 If we don't solve it, nobody will. 491 00:44:33,660 --> 00:44:36,100 Hands up, where I can see them! 492 00:44:41,100 --> 00:44:44,380 - Her aim is good. - Ye of little faith. 493 00:44:44,540 --> 00:44:47,660 Didn't you hear me? Hands up! 494 00:44:47,820 --> 00:44:50,340 Everybody to one side. Come on. 495 00:44:51,460 --> 00:44:54,060 I'll get some ropes. 496 00:44:54,220 --> 00:44:55,780 On the floor. 497 00:45:20,300 --> 00:45:23,700 - Looks like you're celebrating. - We certainly are. 498 00:45:37,140 --> 00:45:39,940 - Nothing. - There's a lot of paintings there. 499 00:45:40,100 --> 00:45:43,260 But Las Meninas isn't there, and nothing by Velázquez. 500 00:45:43,420 --> 00:45:46,260 You, tell me, where is Las Meninas? 501 00:45:58,700 --> 00:46:00,340 Speak! 502 00:46:02,140 --> 00:46:06,180 Is Las Meninas a very big painting? 503 00:46:06,340 --> 00:46:09,620 - How big? - I don't know. Kind of enormous. 504 00:46:09,780 --> 00:46:11,620 - Let's go see. - Let's go see. 505 00:46:15,300 --> 00:46:17,020 There. 506 00:46:33,100 --> 00:46:35,180 It is Guernica. 507 00:46:36,940 --> 00:46:38,500 Why the hell is it here? 508 00:46:38,660 --> 00:46:42,860 It is really awful. Is this art? 509 00:46:44,140 --> 00:46:45,820 Julián. 510 00:46:53,180 --> 00:46:55,460 Greetings from the Ministry of Time. 511 00:46:59,980 --> 00:47:03,860 I know it's hard to believe, but it's true. 512 00:47:04,020 --> 00:47:05,940 And I don't regret it. 513 00:47:06,100 --> 00:47:11,580 I sacrificed my work for the greatest work of art ever, Las Meninas. 514 00:47:11,740 --> 00:47:14,820 I have a question, Don Pablo. I need to know. 515 00:47:14,980 --> 00:47:17,340 Did this man steal Las Meninas 516 00:47:17,500 --> 00:47:21,100 and send you a photo to show you he had it? 517 00:47:21,260 --> 00:47:24,620 And then he asked you to trade it for Guernica? 518 00:47:24,780 --> 00:47:27,340 And if you refused, he'd destroy it? 519 00:47:27,500 --> 00:47:30,620 - Exactly. - Son of a bitch. 520 00:47:30,780 --> 00:47:33,500 You handed Guernica over for nothing? 521 00:47:33,660 --> 00:47:36,860 What do you mean by that? I painted it. 522 00:47:37,020 --> 00:47:39,420 I got some money and the studio's rent. 523 00:47:39,580 --> 00:47:44,780 A man called Araquistáin offered me 150,000 francs from the government. 524 00:47:44,940 --> 00:47:46,340 I didn't accept it. 525 00:47:46,500 --> 00:47:50,820 If they make another offer, accept it and get a receipt. 526 00:47:50,980 --> 00:47:55,980 Are you saying I'm gold-digging? It wouldn't be the first time. 527 00:47:56,140 --> 00:47:58,580 Rumor has it I like money. It's true. 528 00:47:58,740 --> 00:48:01,700 But you can't say I'm not fond of Spain. 529 00:48:05,140 --> 00:48:08,180 I have to go... I have to go to the toilette. 530 00:48:08,340 --> 00:48:11,100 I'll walk you there. 531 00:48:14,700 --> 00:48:20,660 Do you know how many times I said no to the French government? 532 00:48:20,820 --> 00:48:23,220 They say I'm not a Spaniard! 533 00:48:23,380 --> 00:48:27,580 Don't they see Goya and La Tauromaquia in my paintings? 534 00:48:28,580 --> 00:48:31,700 I'm thinking about making versions of Las Meninas. 535 00:48:31,860 --> 00:48:34,420 No wonder. Las Meninas has so much to offer. 536 00:48:34,580 --> 00:48:37,740 I thought about it in case it was destroyed. 537 00:48:37,900 --> 00:48:40,220 But I'm going to paint it anyway. 538 00:48:40,380 --> 00:48:43,740 When I die and somebody looks at my paintings, 539 00:48:43,900 --> 00:48:49,860 if they can't tell I'm a Spaniard, they're either blind or ignorant. 540 00:48:51,100 --> 00:48:53,700 We've got Guernica. It's in Madrid. 541 00:48:57,300 --> 00:49:01,380 Salvador, I spoke to the Ministry of 1937. 542 00:49:01,540 --> 00:49:04,340 They are sending reinforcements to protect Guernica. 543 00:49:04,500 --> 00:49:06,620 France's embassy will get Las Meninas. 544 00:49:06,780 --> 00:49:09,820 I'm sure they'll take it to Switzerland. 545 00:49:12,500 --> 00:49:14,340 Are you all right? 546 00:49:15,173 --> 00:49:18,060 No, not yet. 547 00:49:18,220 --> 00:49:21,860 When I think about what could happen if we fail, 548 00:49:22,020 --> 00:49:24,020 I tremble with fear. 549 00:49:24,180 --> 00:49:27,140 There's something I don't understand. 550 00:49:27,300 --> 00:49:31,180 Why does Díaz Bueno want Guernica and not Las Meninas? 551 00:49:31,340 --> 00:49:34,540 Whoever bought Las Meninas could not show it to anyone. 552 00:49:34,700 --> 00:49:37,980 If they did, they would face a worldwide lawsuit. 553 00:49:38,140 --> 00:49:41,500 Some people buy stolen paintings so only they can see them. 554 00:49:41,660 --> 00:49:44,780 The vanity of owning a work of art exceeds everything. 555 00:49:44,940 --> 00:49:47,860 In the end, they show it to someone. 556 00:49:48,020 --> 00:49:51,980 And when someone else sees it, there's no more secret. 557 00:49:52,140 --> 00:49:56,940 However, in May 1937, nobody, except us and Picasso himself, 558 00:49:57,100 --> 00:50:00,020 knows that Guernica exists. 559 00:50:00,180 --> 00:50:03,980 Díaz Bueno would wait and sell it that year. 560 00:50:04,140 --> 00:50:07,220 Nowadays, an unknown painting by Picasso 561 00:50:07,380 --> 00:50:10,140 from that date and of that size 562 00:50:10,300 --> 00:50:13,780 would beat all records in the art market. 563 00:50:15,060 --> 00:50:17,860 Luck was on our side today. 564 00:50:19,460 --> 00:50:21,420 As Luis Aragonés once said, 565 00:50:21,580 --> 00:50:26,460 "Luck doesn't exist. Only bad luck exists." 566 00:50:31,260 --> 00:50:33,060 It's a pity you're leaving Paris. 567 00:50:33,220 --> 00:50:36,060 It's not easy to make friends here. 568 00:50:38,700 --> 00:50:42,540 I have to tell you something and you have to believe me. 569 00:50:44,140 --> 00:50:47,780 Don't go back to Spain, Clara. Franco will win the war. 570 00:50:49,980 --> 00:50:52,980 The news I got from Spain say the opposite. 571 00:50:53,140 --> 00:50:55,740 He will win. I know. 572 00:50:56,940 --> 00:50:59,300 How do I know the book you're writing is 573 00:50:59,460 --> 00:51:02,660 The Spanish Revolution as Seen by a Republican Woman? 574 00:51:03,660 --> 00:51:06,740 How do you know? I didn't tell anyone about it. 575 00:51:06,900 --> 00:51:11,700 I also know you'll write a biography of Concepción Arenal 576 00:51:11,860 --> 00:51:14,620 and one of Juana Inés de la Cruz. 577 00:51:17,980 --> 00:51:19,540 Can you read minds? 578 00:51:20,940 --> 00:51:22,900 Probably. 579 00:51:29,780 --> 00:51:33,900 Take my advice. Don't stay here, either. 580 00:51:34,900 --> 00:51:37,260 The Germans will invade Paris. 581 00:51:41,100 --> 00:51:44,620 I think the ideal place for you is Buenos Aires. 582 00:51:51,940 --> 00:51:55,820 Thank you for fighting for all women. 583 00:52:11,340 --> 00:52:13,500 What did you say to her? 584 00:52:13,660 --> 00:52:16,820 To never stop fighting. 585 00:52:16,980 --> 00:52:19,300 Good piece of advice. 586 00:52:19,460 --> 00:52:23,060 There's something I've been wondering about. 587 00:52:23,220 --> 00:52:26,620 Why did you tell Picasso to accept the Republic's money? 588 00:52:28,420 --> 00:52:31,340 Araquistáin will give him a receipt and he'll sign it. 589 00:52:31,500 --> 00:52:35,660 That's key to prove to the Guggenheim that the painting belongs to Spain. 590 00:52:35,820 --> 00:52:38,940 So Guernica will be back in Spain in 1981. 591 00:52:39,100 --> 00:52:41,580 - I can vouch for that. - You don't miss a thing. 592 00:52:41,740 --> 00:52:44,020 - So efficient. - Yes, that's right. 593 00:52:44,180 --> 00:52:47,420 - I won't work with this guy again. - Why not? 594 00:52:47,580 --> 00:52:48,900 - Why? - That guy who? 595 00:52:49,060 --> 00:52:51,260 - That would be you. - You're so annoying. 596 00:53:05,420 --> 00:53:07,820 Nice meeting you. 597 00:53:07,980 --> 00:53:09,620 - I hope we meet again. - Me too. 598 00:53:09,780 --> 00:53:12,860 - Shall we go? - I'll be there in a minute. 599 00:53:16,820 --> 00:53:18,660 I'll wait in the car. 600 00:53:25,740 --> 00:53:28,620 I think your partner is a bit jealous of me. 601 00:53:30,420 --> 00:53:33,180 Probably. 602 00:53:48,300 --> 00:53:52,220 Did you want to tell me something? 603 00:53:53,420 --> 00:53:54,900 Yes. 604 00:53:56,660 --> 00:53:58,460 I wanted to tell you that... 605 00:54:26,380 --> 00:54:30,340 - Goodbye. - Goodbye. 606 00:54:50,100 --> 00:54:51,740 Carlos! Carlos! 607 00:54:57,660 --> 00:55:01,180 Lola! Lola! 608 00:55:31,180 --> 00:55:33,140 Stop! 609 00:55:34,540 --> 00:55:36,180 Let her go. 610 00:55:39,660 --> 00:55:42,780 You won't ruin my plans this time. 611 00:56:16,780 --> 00:56:19,580 Hang in there. Hang in there. 612 00:56:21,060 --> 00:56:24,380 No, man. You can't die yet. 613 00:56:38,540 --> 00:56:40,540 Have a nice trip. 614 00:57:20,540 --> 00:57:25,340 All right. How the hell do we rescue Lola? 615 00:57:39,580 --> 00:57:42,980 Here, drink this. 616 00:57:44,460 --> 00:57:47,580 - What is it? - It's the García drink. 617 00:57:47,740 --> 00:57:51,420 It allows you to time travel without aging nor becoming young. 618 00:58:00,020 --> 00:58:02,900 You've always been so distrustful, Lola. 619 00:58:04,420 --> 00:58:08,740 - How do you know my name? - We met a long time ago. 620 00:58:10,140 --> 00:58:12,300 Or we'll meet in the future. 621 00:58:29,020 --> 00:58:31,020 ON THE NEXT EPISODE 622 00:58:31,180 --> 00:58:32,620 Any news about Lola? 623 00:58:32,780 --> 00:58:36,860 - You should take a few days off. - I will keep looking for her. 624 00:58:37,020 --> 00:58:39,580 - Hello. - Hello. 625 00:58:39,740 --> 00:58:42,220 I'll take responsibility for what happens. 626 00:58:47,220 --> 00:58:48,540 I'll change the past. 627 00:58:51,500 --> 00:58:54,980 Lola is in no shape to go on a mission. 628 00:58:55,140 --> 00:58:57,700 - Holy crap. - Spaniards killing Spaniards. 629 00:58:57,860 --> 00:58:59,900 Everything will be fine. 630 00:59:05,660 --> 00:59:07,620 I'll assign you a mission. 631 00:59:08,620 --> 00:59:10,700 So soon? I'm not ready. 632 00:59:10,860 --> 00:59:15,100 With this machine, I'll be able to time travel. 633 00:59:16,660 --> 00:59:18,740 - I screwed up again. - You sure did. 634 00:59:18,900 --> 00:59:21,140 If only you didn't keep changing eras. 635 00:59:23,540 --> 00:59:26,540 Is everything all right at the Ministry? 636 00:59:30,980 --> 00:59:34,780 There's no place in the world in any century 637 00:59:34,940 --> 00:59:36,940 where the killer can hide. 638 00:59:37,100 --> 00:59:38,900 We'll find him. 639 00:59:40,300 --> 00:59:45,420 I should have been on that mission. It's me who should be dead. 640 00:59:51,940 --> 00:59:54,620 A prisoner can't be denied a drink. 641 00:59:54,780 --> 00:59:56,220 It's still too soon. 642 00:59:56,380 --> 00:59:59,700 Wasn't The Time Ship a novel by Enrique Gaspar y Rimbau? 643 00:59:59,860 --> 01:00:02,900 That's what I thought, that it was just a novel. 644 01:00:07,746 --> 01:00:11,060 Don't try to change the past. It's a thankless task. 645 01:00:13,980 --> 01:00:16,980 Subtitles: Laura Jiménez www.sdimedia.com